Education: She holds Bachelors and Masters degrees in composition from the Aichi Art University in Japan and Doctoral degree in harpsichord performance from the Juilliard School.
Composer and harpsichordist, Asako Hirabayashi’s first recording on Albany Label, whose program is entirely composed and played by herself, was selected as one of the 5 best classical CDs of the year 2010 by Minneapolis Star Tribune. It was described as “A superb player, is also a gifted creator of music” (The Diapason, 2010),“A strong case for her instrument’s third-millennium credentials…the best harpsichordist. A delight!”(Minneapolis Star Tribune, 2010),“Twenty-four tracks of passionate, sparkling, lyrical, even poignant music to help secure the harpsichord’s presence in the new millennium.” (Fanfare, 2010) “…charming, unreservedly melodic, poignant and lighthearted”(American Record Guild, 2010) “ Her contemporary harpsichord music is ingenious, fanciful, diverse and unpretentious… I admit I’ve never been a fan of the harpsichord, she has changed all that for me and awakened me to the idea that a composer can reinvent an instrument…” (Fanfare, 2010)As a harpsichordist, she has appeared as a guest featured soloist in international festivals and music series worldwide, including her New York debut recital at Carnegie Hall, the Boston Early Music Festival, the International Bach Festival in Ukraine, the International Contemporary Music Festival “Contrasts” in Ukraine, the Festival Musicale delle Nazioni in Rome, Italy, the concert series at Palais du Pharo in Marseille, France, the Bach Society of Minnesota, the Schubert Club Concert Series etc. She won numerous grants and awards including the 2009 -10 McKnight Fellowship for Performing Musicians, the Irene Diamond Scholarship from the Juilliard School, and the Fund for U.S. Artists at International Festivals and Exhibitions. Her performances have been broadcast worldwide and she appeared as a guest solo performer on A Prairie Home Companion in 2009.As a composer, she won several first prizes at international composition competitions, such as the Alienor International Harpsichord Composition Competition and NHK International Song Writing Competition in Japan, and awarded Subito grant from American Composers Forum. Her works have been published by Skyline publications Inc. and Tundradogs Music Publishing Inc. and have been performed worldwide.She has taught classes and given lecture recitals at the Juilliard School, Miami University, the University of Kentucky, Northern Kentucky University, and the International Bach Festival in Sumy, Ukraine, the Tchaikovsky National Academy of Music in Kiev, Sumy Conservatory in Ukraine and Northern Kentucky University, the University of Minnesota. She serves as vice president of Midwestern Historical Keyboard Society, and is a founder and a harpsichordist of Cincinnati Baroque Orchestra, Duo Libero, Duo Tastiera and Ladyslipper.
Education: BM, College Santa Marcelina, Sao Paulo, Brazil; Composition Studies, University of Sao Paulo, Brazil; MM, New England Conservatory of Music, Fulbright Scholar; Post Graduate Studies, The Royal Conservatory of Music – The Hague, Netherlands
nternationally renowned recorder player Clea Galhano is an accomplished performer of early, contemporary and Brazilian music. Galhano has performed in the United States, Canada, South America and Europe as a chamber musician, collaborating with recorder player Marion Verbruggen, Belladonna,Lanzelotte/Galhano Duo and the Galhano/ Montgomery Duo and Jacques Ogg.As a featured soloist, Galhano has worked with the Saint Paul Chamber Orchestra conducted by Christopher Hogwood , Nicholas McGegan and Emmanuelle Haim, Lyra Baroque Orchestra and New World Symphony. Among other important music festivals, Ms. Galhano has performed at the Boston Early Music Festival, and the Tage Alter Music Festival in Germany. A popular teacher and ensemble director, Galhano regularly conducts workshops across the United States and Brazil.
Jean Allison Olson
Education: BA, Bethel College; Graduate Studies in musicology, University of Minnesota
Education: BA, Concordia College; Performing Artist’s Certificate, The Royal Conservatory of Music – The Hague, Netherlands
Julie Elhard, viola da gamba, appears regularly as a soloist and chamber musician and has made several appearances with the St. Paul Chamber Orchestra, including the St. Matthew Passion by Bach under the direction of Nicholas McGegan. She has been a guest artist with Apollo’s Fire in Cleveland and is a founding member of Violes Egales and Glorious Revolution Baroque. Ms. Elhard was awarded a 2011 Artist’s Initiative grant from the Minnesota State Arts Board. She also received a Jerome Foundation grant to study vielle and early string playing with Margriet Tindemans and received a Performing Artist Certificate from the Royal Conservatory of Music in The Hague, Netherlands. She has taught at workshops in North America and at the Viola da Gamba Society of America’s national Conclaves. Ms. Elhard currently teaches viola da gamba at Macalester College, and also at the St. Paul Conservatory of Music where she has developed a Suzuki-style approach for children to learn the viola da gamba.
Education: Doctor of Musical Arts, Stony Brook University; Master and Bachelor of Music Indiana University
Marc Levine’s (violin) versatile performances have been described as “eloquent as well as technically superb combining technical mastery with emotional perceptiveness and beautiful sound” (Southampton Press). He is artistic director of the Southampton Cultural Center Chamber Music Series, has performed at Carnegie Hall and Symphony Space, and has been a member of several notable groups including the Pittsburgh New Music Ensemble, the YouTube Symphony Orchestra, and The New Tango Project, with whom he recorded in collaboration with the Center for Contemporary Opera. As a baroque violinist, Marc was a prizewinner in the 2008 American Bach Soloists International Competition for Baroque Violin and has performed with top baroque ensembles, including Concert Royal, the Lyra Baroque Orchestra, the Aulos Ensemble, and Early Music New York, a group with which he has served as principal 2nd violin and recorded on the Ex Cathedra label. Marc is a founding member of the baroque ensemble Flying Forms, known for innovative, interdisciplinary performances and considered “names to watch” (Berkshire Review for the Arts) and “the bright future of early music” (Arthur Haas, harpsichord).Marc teaches privately and is on the faculty of the Saint Paul Conservatory of Music. His teachers include Pamela Frank, Ani Kavafian, and Franco Gulli. On baroque violin, Marc has played in master class or studied privately with: Cynthia Roberts, Monica Huggett, Robert Mealy, Dana Maiben, Marc Destrubé, Michael Sand, and Elizabeth Blumenstock.